How to Connect with Readers

Local author Loreen Niewenhuis advises:

“The set of tools we writers use within the creative bubble are completely different from those needed to promote the work when it goes out into the world. After signing my first book contract, that wonderful “Yay!” moment quickly evolved into “What happens now? How will people hear about the book?”

“While the creative process is inherently rewarding, the process of getting published and building a platform is a whole lot of work that has to pay off in a different way: people have to connect with your work.”

Loreen says that Authors Publish Magazine has some good resources for writers.

The Signs of an Amateur

from Zach J. Payne at Medium

1. Worrying about people stealing your ideas.

2. Plastering a copyright symbol *everywhere*.

3. Using sans-serif fonts for large amounts of small text.

I’ll add my two cents to this one: Don’t use anything but Times. Ever. (Except in email.) It’s all about the words, not the type face. If you’re fooling around with type, then you’re distracting yourself — and everyone else — from the message.

Really Great Writing Tips

from an unpaid intern at Publishing House agency.

1. Delete the First Paragraph/Page/Chapter

The first part of whatever you’re writing might be (ahem, will be) stuffed with lengthy exposition and wordy, unrealistic dialogue.

3. Having a Following Helps

Having a blog or some kind of online presence is not bad. It does not make you less of a “genuine” writer. We have the potential to have a huge audience all on our own. Use this resource. It is an asset.

4. Read. Out. Loud.

Read your book out loud to yourself, or, better yet, go to open mic readings. I always catch mistakes and typos once I print out a few pages and begin rehearsing.

Tips #2 and #5 are also important. Read all about it The Medium.

How to Get a Signing at Barnes & Noble

Well, here’s the secret sauce hiding behind the curtain for your bookings at B&N: every Barnes & Noble in America has an executive specific to that store called a Community Business Development Manager.

When you are ready for a signing you will want to see him or her. You do not want the “Manager”. You want the “Community Business Development Manager”.

By temperament and skill set, the B&N development mangagers are friendly and encouraging. Don’t be shy with them. But also don’t be arrogant. They are responsible for community events. They need you and you need them. Work together with mutual respect for a satisfactory result.

Read the rest at The Writing Cooperative

A Novelist Who Works at Amazon

I was always glad, at any rate, to stand beside the gigantic book boxes and enter the books in the system, I looked at the books and knew what kind of thing the Germans buy, so, for example, I knew the Germans like to buy the humorous health writer Eckart von Hirschhausen, because I had a hundred copies of Eckart von Hirschhausen’s face on my desk and put them in a yellow crate. And I found out there really are an incredible number of vampire novels, something I could have guessed beforehand but wouldn’t have thought possible.


Add Sparkle to Your Writing

Add touches of local color with a bit of research.

Research is one of my favorite methods for finding the bits of realism for injecting realism into a fictional narrative. It’s all about being specific.

Instead of simply telling our readers where our characters are — a dank basement in 1950s New York, for example — we break it down. Add some interesting details.

For our particular basement, we can look at a few photos, or recall a memory of a basement scene in a scary movie. We can use our memories of other basements to build a mental picture of our basement, and add a few touches of reality from the correct era.

What would we expect to find in the basement of this particular old house in the 1950s? Broken and discarded toys? Empty canning jars? Old crates and newspapers? Some specific items, recognizable as being from the 1950s, to add that flavor to our narrative — a model train set, toy soldiers, a rusted and broken Radio Flyer wagon.

Find other tips here at the Writing Cooperative.

Self-Published Bestsellers

No one likes to be told “no.” Whether it’s a child asking for a cookie or a guy handing out fliers on the street, getting turned down hurts. But if you’re a writer, it’s also just part of the job. Getting published is hard, and even successful writers were often rejected dozens or even hundreds of times before something clicked. Too bad you can’t skip the whole query letter part of publishing and do it all yourself.

Except that technically, you can. Self-publishing has existed just as long as traditional publishing, and the current digital age has made the distribution of independent literature more accessible than ever. 

Read the rest here at Electric Literature.

3 Ways to Finish Your Next Book

Jon Acuff, author of Finish, shares three key writing strategies for finishing your next book.


I have many bookshelves in my home. Though it’s difficult to pick my favorite book, it’s very easy to point out the best shelf in my entire house.

I call it, “The Finish Shelf.”

It houses dozens of books written by people who read my book, Finish, and learned how to complete and publish their own books.

How did they do it? Well, they followed a set of principles that Mike Peasley, PhD and I uncovered through 6 months of research and focused on these three core ideas:

1. Plan for the day after perfect.

Few things prevent you from completing a book like perfectionism. At the beginning of the project, perfectionism will tell you, “Someone smarter, with a bigger platform and better teeth has already written this exact book.” During the middle-stage of the project, it will tell you that it won’t be perfect when you finish so you should stop now. Worst of all, if you set writing goals, when you miss one, perfectionism will tell you to quit the whole thing. On “the day after perfect,” you’ll feel like your writing streak is over and you might as well quit. Diets fail this way all the time. You go to the gym five days in a row, miss day six and then don’t return for three months. Finishers plan for the day after perfect. They forgive themselves when they miss day four and write anyway on day five.

2. Make it fun if you want it done.

The most surprising thing about our research was how critical fun is when it comes to goal completion. We tend to think that a goal has to be difficult or miserable to “count.” Ask an author, “What are the first five words you think of when you hear the word “goal” and he/she will say, “Hustle, grind, discipline, grit, persistence.” Those words are fine, but it’s no wonder we have a hard time actually getting over the finish line with that mindset. The words we use to describe goals are same words we use for things that we hate doing, like consistently flossing because you’re tired of lying to the dentist. If you don’t enjoy the writing process, you’ll write less. It’s simple. You have to find ways to add more fun back into writing or you’ll avoid it.

3. Quit telling people you are writing a book.

I first heard author Derek Sivers share this idea in a brilliant TED talk. When you tell someone you are writing a book, they pre-congratulate you. At dinner parties they say, “That’s amazing. I could never do that! You’re so brave for using your voice.” As these unearned compliments land on your shoulders, your body releases a hit of dopamine and it’s just enough to satisfy you. That’s why 81% of Americans want to write a book and less than 1% do every year. Quit telling people you’re writing a book and instead actually spend time writing it. The long-term payoff of doing it will far exceed the momentary bliss of pretending you are writing at dinner parties. I promise.

The Elevator Pitch

Distilling the essence of your story down to three short sentences is more important than you can possibly imagine — both for enticing potential readers and for a writer’s sense of his/her own competence. You should also prepare a longer (2-3 minute) pitch. If you can’t get your story across in three sentences or three minutes, you don’t know what your story is about. Read more from the Writing Cooperative here.

Three Magic Questions : Nonfiction

According to August Birch, if you answer three magic questions your nonfiction will sell like hotcakes.

  1. What’s a secret only I know about this subject? This is your Golden Goose. Your secret subject is the hook for your non-fiction. This is the insider’s bit of information and 98% of the reason your reader will buy your book. Most of you book is Google-able. But this — only you can provide the Golden Goose. Figure out this bit of information and release it carefully, deep into the book.

  2. What are the basics my reader MUST know? This is the Google stuff. You’ve got to provide everything the lowest layperson must know to understand your book. Whether you’re teaching a skill, or discussing history, start at the beginning. You don’t have to cover it in-depth if you write an advanced book, but the basics need to be baked inside.

  3. How can I arrange this book so it reads like fiction? You won’t bend the truth, but you can use narrative techniques (finish chapters with open-ended questions, later to be revealed) to keep the work moving. Don’t vomit all your best information up-front. Sprinkle it. Tell us you’ll reveal something important later, but not too soon. Arrange the book in a way that reads like a story. Non-fiction written by journalists are fantastic examples of this.

Read the rest here.

Facebook Marketing

1. Use Custom Audiences and Lookalike Audiences

I am still amazed by how only a few marketers leverage the power of custom audiences and lookalike audiences.

3. Give an ad set at least 48–72 hours before optimising

Every ad needs some time to get into the algorithm & show it’s true potential. Give it some time before writing it off! I personally run my ads for 72h before analysing and optimising them. What is a good ad set? It depends on your campaign objective.

Read the rest at Medium.

How to Write the Perfect Sentence

By Joe Moran

Every writer, of school age and older, is in the sentences game. The sentence is our writing commons, the shared ground where all writers walk. A poet writes in sentences, and so does the unsung author who came up with “Items trapped in doors cause delays”. The sentence is the Ur-unit, the core material, the granular element that must be got right or nothing will be right. For James Baldwin, the only goal was “to write a sentence as clean as a bone”.

What can celebrated writers teach the rest of us about the art of writing a great sentence? A common piece of writing advice is to make your sentences plain, unadorned and invisible. George Orwell gave this piece of advice its epigram: “Good prose is like a windowpane.” A reader should notice the words no more than someone looking through glass notices the glass.

Read the rest at the Guardian.